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When the World Falls Apart
Slakah the Beatchild
April 19, 2009
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Slakah the Beatchild has a charisma about him that is rare; and his talent matches his likability. From the moment he and Ayah – his creative collaborator – arrived on the Transit “set”, we knew we had something special on our hands. Everything about him is authentic and his performance has an effortless, entrancing quality to it.

For this shoot day, we'd booked the vintage PCC streetcar; which comes with a bundle of charm and curb appeal, but also a fair bit of bounce and ruckus. But you wouldn’t know that when you watch Slakah perform. Even a semi-maniacal Toronto Maple Leafs fan who was yelling and hooting at us as we passed him by didn’t distract from his cool.

Ayah, equally talented and charming, added some killer vocal harmonies to his performance and they shared laughs at the improvisations they were making to the songs. Watching the two of them sing together and encourage each other, it’s easy to see the creative chemistry at work.

As we wound up Bathurst from the Union Station Loop towards the end of the day, we had a chance to sit and chat with the two performers about their shared histories, their creative process and their plans for the future. Hopefully we’ll have this ‘behind-the-scenes’ footage for you to enjoy. For now, hope you enjoy Slakah’s Transit Tape. -- cb
 

Slakah The Beatchild represents the evolution of the enigmatic producer. Five years ago the urban landscape was ruled by the super production gods. Names like Dre, The Neptunes, Timbaland and Dilla (R.I.P.) conjure up visions of walking celestial beings blessing us with musical gems. Then the internet came and completely changed the producer paradigm. In the past the artist/producer title was a choice, now it's a prerequisite as musicians struggle to stay relevant in the hearts and minds of 'gimme, gimme', attention-deficient listeners. If an artist is going to get by in '08 they have to be a musical multi-tasker and Slakah fits perfectly into that lane. He's a musical chameleon whose gifts are only truly realized in the presence of other talented artists and musicians.

This is why The Soul Movement Vol. 1 is such an effective introduction his budding abilities. Featuring collaborations from the cream of Canada's burgeoning talent (Drake, Tona, Divine Brown, Shad, Melanie Durrant, Ray Robinson, Ebrahim and so many others) the album is feel-good new soul with enough of a world-inflected influence to keep it fresh. It's an ALBUM! Meaning the songs are built to complement and augment each other so grabbing one or two songs and popping them into your I-pod won't do this soulful effort justice. Standout tracks are Enjoy Ya Self, Get Down Right, The Answer, Crate Love, B-boy Beef, I'll Be Alright & Bad Meaning Good.

The album's six featured interludes are of the Shit-I-wish-this-was-a-full-song variety so when you add those to the aforementioned songs you realize The Soul Movement Vol.1 is really worth enjoying in its entirety (sorry attention-deficient kids!). If you come from the 'Go to the store, buy the album, go home, sit back and listen while reading the liner notes' era then The Soul Movement Vol. 1 is an album you'll readily add to your collection. If you're from the 'Go to the internet, find new music and throw it into my I-pod blender' era, then this album is a great introduction to a different (some may even say better) soul-listening experience. - Ty Harper